Untitled (Orrery for the Body) Caroline Woolard, 2024, 96 x 40 x 36 inches, india ink, foam, sand, concrete, steel
Solidarity Not Charity Caroline Woolard and Nati Linares, report, 121 pages, commissioned by Grantmakers in the Arts, 2021
Solidarity Not Charity Caroline Woolard and Nati Linares, report, 121 pages, commissioned by Grantmakers in the Arts, 2021
Making and Being Caroline Woolard and Susan Jahoda, book, paperback, 7 in. x 9 in. / 700 pages, 2019
Spirits and Logistics Caroline Woolard and Suryanarayanan, report, 2021, 179 pages, commissioned by the Center for Cultural Innovation
Queer Rocker (rendering) Caroline Woolard, Rhino sketch for CNC open access Wo/Manual, dimensions variable, 2014.
Exchange Cafe Caroline Woolard, furniture, currency, educators, tea, milk, honey, dimensions variable, 2013.
Resources (Detail from Exchange Cafe) Caroline Woolard, tyvek, visitor signature and hand written demands, 2.6” x 6.14”, 2013.
Exchange Cafe Caroline Woolard, Installation view and performance at the Museum of Modern Art, New York2013Furniture, local currency, educator-performers, tea, milk, honey, Dimensions variable
The Work Dress Caroline Woolard, cordura, canvas, cotton-denim blend, performance, dimensions variable, 2007-2013.
Barricade to Bed Caroline Woolard, Installation view at the Museum of Modern Art, New York2013, Police barricade, tennis balls, mattress, scrap wood, plumbing hardware 20” × 74” × 30”
Barricade to Bed Caroline Woolard, Installation view at the Museum of Modern Art, New York, 2013, Police barricade, tennis balls, mattress, scrap wood, plumbing hardware 20” × 74” × 30”
A Brick Holds Water / Bridge Table Caroline Woolard, terra cotta, water, commitment to practice, 2.5 x 3.5 x 10 inches each, edition of 9, 2020.
A Stone Holds Water Caroline Woolard, porcelain, water, commitment to practice, 2.5 x 3.5 x 10 inches each, edition of 9, 2020.
Bridge Table Caroline Woolard, 1x2 pine, marine plywood, hardware, water filter, water, 50 x 30 x 31 inches, 2020.
A Stone Holds Water Caroline Woolard, porcelain, water, commitment to practice, 3.5 x 2.5 x 4 inches each, edition of 32, 2020.
Untitled (installation) Caroline Woolard, power washed stained concrete, water, mycelium, pine, flood light, raw clay (white stoneware), dimensions variable, 2020.
A Brick Holds Water Caroline Woolard, terra cotta, water, commitment to practice, 2.5 x 3.5 x 10 inches each, edition of 9, 2020.
Caroline Woolard A Brick Holds Water, terra cotta, water, commitment to practice, 2.5 x 3.5 x 10 inches each, edition of 9, 2020.
A Stone Holds Water (detail) Caroline Woolard, porcelain, water, commitment to practice, 3.5 x 2.5 x 4 inches each, edition of 32, 2020.
A Brick Holds Water / Bridge Table Caroline Woolard, terra cotta, water, commitment to practice, 2.5 x 3.5 x 10 inches each, edition of 9, 2020.
A Stone Holds Water / Bridge Table Caroline Woolard, porcelain, water, commitment to practice, 3.5 x 2.5 x 4 inches each, edition of 32, 2020.
Untitled (installation) Caroline Woolard, power washed stained concrete, water, mycelium, pine, flood light, raw clay (white stoneware), dimensions variable, 2020.
Caroline Woolard Caroline Woolard, A Brick Holds Water, terra cotta, water, commitment to practice, 2.5 x 3.5 x 10 inches each, edition of 9, 2020.
The Meeting Caroline Woolard: The Meeting (installation view), The Galleries at Moore College of Art & Design (August 3 – September 21, 2019). 2019, walnut, nylon, glass, hardware, mycelium. Photo by Joseph Hu.
Countermeasures: Level Caroline Woolard, 2018, blown glass, mineral oil, turned cherry wood, 18 x 8 x 14 inches.
The Meeting (detail) Caroline Woolard: The Meeting (detail), The Galleries at Moore College of Art & Design (August 3 – September 21, 2019). 2019, walnut, nylon, glass, hardware, mycelium. Photo by Joseph Hu.
The Meeting (detail) Caroline Woolard: The Meeting (installation view), The Galleries at Moore College of Art & Design (August 3 – September 21, 2019). 2019, walnut, nylon, glass, hardware, mycelium. Photo by Joseph Hu.
The Meeting (office view) 2019, aluminum, nylon twine, hardware, foam, 24 x 24 x 18 inches. Courtesy of the artist. Foam bust prototype sculpted by Hannah Rawe, final bust to be made in mycelium. Photo by Levi Mandel.
Modular Daybed for Touching Art Caroline Woolard, 2020, Caroline Woolard, Modular Daybed for Touching Art, 2020, 80 x 15 x 38 inches, steel, aluminum, walnut, popular, acrylic, newspaper.
The Meeting Game Caroline Woolard, single-channel video loop, produced in collaboration with Alex Mallis and Meerkat Media, 2019
The Meeting (installation view) 2019, walnut, nylon, glass, hardware, mycelium. Photo by David Chou.
The Meeting (installation view) 2019, aluminum, nylon twine, hardware, foam, 24 x 24 x 18 inches. Courtesy of the artist. Foam bust prototype sculpted by Hannah Rawe, final bust to be made in mycelium. Photo by Levi Mandel.
The Meeting (detail) Caroline Woolard: The Meeting (installation view), The Galleries at Moore College of Art & Design (August 3 – September 21, 2019). 2019, walnut, nylon, glass, hardware, mycelium. Photo by Joseph Hu.
Countermeasures: Water Clock (detail) Caroline Woolard, 2017-2018, Glass and Water, 18 × 10 × 10 in, 2018.
Countermeasures: Water Clock (detail) Caroline Woolard, 2017-2018, Glass and Water, 18 × 10 × 10 in, 2018.
Countermeasures: Level Caroline Woolard, 2018, blown glass, mineral oil, turned cherry wood, 18 x 8 x 14 inches.
Countermeasures: Level (side) Caroline Woolard, 2018, blown glass, mineral oil, turned cherry wood, 18 x 8 x 14 inches.
Ta73060918 Caroline Woolard, 2018, blown glass, outlet, plug, oil painted poplar, 24 ½ x 24 ½ x 7 ½ inches.
Ta73060918 Caroline Woolard, 2018, blown glass, outlet, plug, oil painted poplar, 24 ½ x 24 ½ x 7 ½ inches.
Ta73060918 (orange) Caroline Woolard, 2018, blown glass, outlet, oil painted plug, poplar, 24 ½ x 24 ½ x 7 ½ inches.
Ta73060918 (orange) Caroline Woolard, 2018, blown glass, outlet, oil painted plug, poplar, 24 ½ x 24 ½ x 7 ½ inches.
Ladders (for the Study Center for Group Work) Caroline Woolard, plywood, steel, paint, dimensions variable, 2016.
Capitoline Wolves Caroline Woolard, cherry wood, powder coated steel, dyed stoneware, 39” x 36” x 72” each, edition of 5 (forming a circle), 2016.
Capitoline Wolves Caroline Woolard, cherry wood, powder coated steel, dyed stoneware, 39” x 36” x 72” each, edition of 5 (forming a circle), 2016.
Capitoline Wolves Caroline Woolard, cherry wood, powder coated steel, dyed stoneware, 39” x 36” x 72” each, edition of 5 (forming a circle), 2016.
Capitoline Wolves Caroline Woolard, cherry wood, powder coated steel, dyed stoneware, 39” x 36” x 72” each, edition of 5 (forming a circle), 2016.
Study Center for Group Work (installation view) Caroline Woolard, steel, poplar, study center materials, plexiglass, dimensions variable, 2016.
Study Center for Group Work (rendering) Caroline Woolard, Rhino sketch for 3D printing, dimensions variable, 2016.
Ladders (for the Study Center for Group Work) Caroline Woolard, plywood, steel, paint, dimensions variable, 2016.
LISTEN Caroline Woolard, cast steel and bronze, electroplated with gold, 1" x 2" x 1", 2018, commissioned by the Ohio CAC
Hello, my name is Caroline Woolard. My name is pronounced Care-oh-line Wool-lard and I use she/her pronouns.
I believe that artists and designers can imagine and enact sustainable futures. I build objects as well as networks that prefigure more equitable worlds.
For example, I co-founded and ran the peer-to-peer learning platform TradeSchool.coop from 2008-2018, launched and worked on the NYC Real Estate Investment Cooperative from 2014-2016, served on the Executive Team as CCO of Open Collective from 2021-2023, and more recently have co-founded and become a core organizer of the national network for creative co-ops called Art.coop (2020-present) and Head of Strategy for Minima.nyc.
I am equally comfortable writing a report, making a website, designing a logo, forming a co-op, or making a sculpture. I am recognized in what seem like three disparate areas: (1) art and design, (2) economic justice, and (3) open-source software.
What unites my work is a lifelong commitment to experiences that foster interdisciplinary collaboration. I have co-authored three books about this: Making & Being (for educators), Art, Engagement, Economy (for makers), and a major report about the future of creative and solidarity economies (for wealth holders).
My work has been featured twice on the PBS film series Art21 and a monograph about my practice was published by Onomatopee.
More information:
https://en.wikipedia.org/wiki/Caroline_Woolard
https://art21.org/artist/caroline-woolard/
My upcoming events, full bio, projects, systems, writing, and video recordings of past talks are below. You can learn more about my work on this site or on twitter or instagram. You can find my CV here and you can email me at: Caroline Woolard [at] gmail [dot] com.
PROJECTS
SYSTEMS
MEDIA
Media: A Stone Holds Water (2020)
Media: Bad at Sports
Media: Conversations@Moore
Media: Life After Oxbow
Media: Making and Being 1 min video
Media: NEA introduction
Media: NOW
Media: Ourgoods.org
Media: Photography Expanded
Media: Study Center for Group Work
Media: SVA Video
Media: The Meeting Game
Media: The Remix
TEXTS
Achieving the new graduate dream: building sustainable business success at a small scale
Download PDF(June 2014) Written by Aaron Fry, Steven Faerm, and Reina Arakji, professors in art and design at Parsons The New School for Design in New York City.
Art21 (2015)
Download PDF(July 2015) Caroline Woolard on NYC Real Estate Investment Cooperative in Art21.
Art Engagement Economy 01 Foreword
Download PDFArt, Engagement, Economy: the Working Practice of Caroline Woolard proposes a politics of transparent production in the arts, whereby heated negotiations and mundane budgets are presented alongside documentation of finished gallery installations. Readers follow the behind-the-scenes work that is required to produce interdisciplinary art projects, from a commission at MoMA to a self-organized, international barter network with over 20,000 participants. With contextual analysis of the political economy of the arts, from the financial crisis of 2008 to the COVID pandemic of 2020, this book suggests that artists can bring studio-based sculptural techniques to an approach to art-making that emphasizes interdisciplinary collaboration and dialogue.
Foreword by Patricia C. Phillips; introduction by Caroline Woolard; texts by D. Graham Burnett, Alison Burstein, Stamatina Gregory, Larissa Harris, Leigh Claire La Berge, Stephanie Owens, Cybele Maylone, Steven Matijcio, Sheetal Prajapati, Caitlin Julia Rubin, Mierle Laderman Ukeles, and Caroline Woolard; interviews by Thyrza Nichols Goodeve and Tina Rivers Ryan; illustrations by Caroline Woolard; design by Angela Lorenzo; and text editing by Helen Hofling. Commissioned by Moore College of Art and Design for the inaugural Walentas Endowed Fellowship of 2018–2020.
https://book.carolinewoolard.com/
Art Engagement Economy 02 Mierle Laderman Ukeles and Tina Rivers Ryan
Download PDFInterviews between Caroline Woolard and Mierle Laderman Ukeles and Tina Rivers Ryan
https://book.carolinewoolard.com/chapter-3-ourgoods-and-tradeschool
Art Engagement Economy 03 Welcome Manifesto
Download PDFWelcome & Manifesto
https://book.carolinewoolard.com/welcome
Art Engagement Economy Chapter 1
Download PDFThe Meeting
https://book.carolinewoolard.com/chapter-1-the-meeting
Art Engagement Economy Chapter 2
Download PDFThe Study Center for Group Work
https://book.carolinewoolard.com/chapter-2-study-center
Art Engagement Economy Chapter 3
Download PDFOurGoods.org and TradeSchool.coop
https://book.carolinewoolard.com/chapter-3-ourgoods-and-tradeschool
Art Engagement Economy Chapter 4
Download PDFExchange Café
https://book.carolinewoolard.com/chapter-4-exchange-cafe
Art Engagement Economy Chapter 5
Download PDFBFAMFAPhD
https://book.carolinewoolard.com/chapter-5-bfamfaphd
Art Engagement Economy Chapter 6
Download PDFLISTEN
https://book.carolinewoolard.com/chapter-6-listen
Art Engagement Economy Chapter 7
Download PDFCapitoline Wolves and Queer Rocker
https://book.carolinewoolard.com/chapter-7-capitoline-wolves-and-queer-rocker
Art Engagement Economy Chapter 8
Download PDFCarried on Both Sides
https://book.carolinewoolard.com/chapter-8-carried-on-both-sides
Artforum (2016)
Download PDF(October 2016) Wendy Vogel on The Study Center for Group Work in Artforum.
Art in America (2014)
(February 2014) Reframing the Debt Debate with BFAMFAPhD by Nate Cohan for Art in America.
Art in America (2016)
Download PDF(October 2016) Cathy Lebowitz on The Study Center for Group Work in Art in America.
Artists Report Back
Download PDFArtists Report Back used data about artists’ demographics, occupations, educational attainment, field of degree, and earnings as recorded by The Census Bureau’s 2012 American Community Survey (ACS) to make statements about the current conditions and contradictions of working artists and arts graduates.
artnet News (2017)
Download PDF(January 2017) These 11 Artists Will Transform the Art World in 2017 by Christian Viveros-Fauné in artnet News.
Crains New York (2015)
Download PDF(May 2015) Hundreds join a new kind of co-op to buy commercial property in high-rent areas by Caroline Lewis in Crains New York Business.
Creative Commons (2016)
Download PDF(August 2016) A politics of cooperation: Caroline Woolard on free culture, fine art, and everyday life by Jennie Rose Halperin in Creative Commons.
Cultural Research Network (2015)
Download PDF(March 2015) The Cultural Research Network on BFAMFAPhD.
Fast Company (2011)
Download PDF(February 2011) Anya Kamenetz on OurGoods and Trade School in Fast Company.
Hyperallergic (2012)
Download PDF(May 2012) Alternative Economies: A Conversation With Caroline Woolard in Hyperallergic.
Hyperallergic (2019)
Download PDF(November 2019) Gabrielle Welsh on Re:Working Labor in Hyperallergic.
J20 Solidarity Economy POSTER (English)
Download PDFPrint this at 11 x 17 / tabloid paper, or order a print to benefit NAACP or SPLC at: http://unterbahn.com/solidarity/
J20 Solidarity Economy POSTER (Mandarin)
Download PDFPrint this at 11 x 17 / tabloid paper, or order a print to benefit NAACP or SPLC at: http://unterbahn.com/solidarity/
J20 Solidarity Economy POSTER (Spanish)
Download PDFPrint this at 11 x 17 / tabloid paper, or order a print to benefit NAACP or SPLC at: http://unterbahn.com/solidarity/
LISTEN: A Case Study in Socially Engaged Art
Download PDFThis is a reflection document for LISTEN, a socially engaged art project comissioned by Wave Pool and the Contemporary Art Center from 2017-2018.
Making and Being full book (2019)
Download PDFMaking and Being offers a framework for teaching art that emphasizes contemplation, collaboration, and political economy. Authors Susan Jahoda and Caroline Woolard, two visual arts educators, share ideas and teaching strategies that they have adapted to spaces of learning which range widely, from self-organized workshops for professional artists to Foundations BFA and MFA thesis classes. This hands-on guide includes activities, worksheets, and assignments and is a critical resource for artists and art educators today. Making and Being is a book, a series of videos, a deck of cards, and an interactive website with freely downloadable content.
Online Platforms Are Not Enough. Artists Need Affordable Space. (2016)
Download PDF(June 2016) Online Platforms Are Not Enough. Artists Need Affordable Space. by Caroline Woolard in the National Endowment for the Arts.
Pedagogical Possibilities: Arts-Based Practices of Collaborative Time for Teaching the Future
Download PDFSolidarity Not Charity: A Rapid Report (2021)
This report is about the ways that arts and culture grantmakers can engage in systems-change work that addresses root causes rather than symptoms of cultural inequity. The cultural sector is actively seeking alternatives to business-as-usual to create economic and racial justice in the sector and beyond. Grantmakers can play a role in the transformation of the sector by following the lead of BIPOC creatives who are innovating models for self-determination and community wealth. This work is part of an emergent movement in the United States that is known globally as the Solidarity Economy.
South Atlantic Quarterly (2015)
Download PDF(July 2015) Leigh Claire La Berge on Trade School in the South Atlantic Quarterly.
Special Interest Fund
Download PDFArt.coop is launching a special interest fund with Movement Strategy Center.
Storefront for Art and Architecture (2015)
Download PDF(August 2015) Manifesto Seires: Measuring Architecture at the Storefront for Art and Architecture.
The Brooklyn Quarterly (2013)
Download PDF(November 2013) Jillian Steinhauer on OurGoods, Trade School, and Exchange Cafe for the Brooklyn Quarterly.
The Brooklyn Rail (2017)
Download PDF(November 2017) Heather Schatz on The Study Center for Group Work in The Brooklyn Rail.
The Brooklyn Rail (2018)
Download PDF(February 2018) The Art of Institutional Possibility: CAROLINE WOOLARD with Thyrza Nichols Goodeve in The Brooklyn Rail.
The Edupunks' Guide to a DIY Credential (2011)
Download PDF(2011) The Edupunks' Guide to a DIY Credential written by Anya Kamenetz and put forth by Smashwords Edition.
The Mesh (2012)
Download PDF(February 2012) The Mesh: Why the Future of Business is Sharing written by Lisa Gansky put forth by Penguin Press.
The New York Times (2010)
Download PDF(February 2010) Emily S. Rueb on Trade School in the New York Times.
The New York Times (2013)
Download PDF(March 2013) Randy Kennedy on Trade School in the New York Times.
The New York Times (2016)
Download PDF(October 2016) Martha Schwendender on The Study Center for Group Work in The New York Times.
The Sharing Economy (2016)
Download PDF(May 2016) The Sharing Economy written by Arun Sundararajan and put forth by The MIT Press.
The Village Voice (2015)
Download PDF(October 2015) Madison Margolin on NYC Real Estate Investment Cooperative in The Village Voice.
The Wall Street Journal (2011)
Download PDF(February 2011) V.L. Hendrickson on Trade School in the Wall Street Journal.
Trigger Magazine (2023)
Download PDF(November 2023) Dreaming Up Collecive Energies from the Editors
Upworthy (2015)
Download PDF(August 2015) Onnesha Roychoudhuri on NYC Real Estate Investment Cooperative in Upworthy.
Wired (2013)
Download PDF(December 2013) Natalie Jeremijenko selects Caroline Woolard for The Wired Smart List.
TEACHING
A Critique Feedback Form - Observe, Analyze, Identify Blind Spots and Generative Contradictions
Download PDFThis feedback form is a meant to guide students as they develop the skills to review their peers' artwork. This worksheet is about how to speak about a project, not about the FORMAT of the critique itself (see Critique Menu for that).
A Discussion Wall
Download PDFThis activity allows people in a group to slow down and make an analog version of the digital experience of sharing images, quotations, and readings. Returning to these materials again and again at each gathering can be a good way to move the group, as a collective body, into itself.
A First Day Welcome! Take Home Form for New Students
Download PDFWhat is your preferred pronoun? What experience do you have with the topics and techniques you image we will cover in this course? Can I tag you in social media? What are your access needs? Do you have experience with self-directed work? These are the sorts of questions I ask to get to know the students I am working with. I tailor activities based upon their feedback. I hand this form out on the first day and have students fill it out a bit in class, and then finish it for homework.
A Framework: Projects, Platforms, and Practices
Download PDFAs artists, we need to learn to think organizationally in order to imagine how our artwork and ideas might circulate in the world, and to take action. This workshop aims to help students and artists think through the platforms and practices that are aligned with their projects.
A Project Review Guide
Download PDFThis is a guide to think through: (1) how a project communicates your intentions (2) how you can best learn and grow as an artist / designer.
Checklist for Good Presentations
Download PDFAs students prepare to speak about their work and create visual presentations, I ask that they use this checklist.
Conversations: What is a successful project?
Download PDFThis activity helps students define success on their own terms, and take actions toward this vision of success.
Excerpts from Making and Being (2020)
Download PDFMaking and Being: a Guide to Embodiment, Collaboration, and Circulation in the Visual Arts is a multi-platform pedagogical project which offers practices of collaboration, contemplation, and circulation in the visual arts. Making and Being is for arts educators who want to connect art to economy; for students who want to make artworks that reflect the conditions of their own production. Making and Being is a book, a series of videos, a deck of cards, and an interactive website with freely downloadable content.
Making and Being: a Guide to Embodiment, Collaboration, and Circulation in the Visual Arts is published by Pioneer Works, distributed by DAP, and is a contribution to BFAMFAPhD from Susan Jahoda and Caroline Woolard with support from Fellow Emilio Martinez Poppe.
The website with downloadable content is here: MakingandBeing.com
Finding Collaborators and Creative Conversations in NYC
Download PDFA list of places where some of the most kind and generous neighbors, artists, designers, and activists I know gather -- these people make NYC great.
How to Start a Trade School (2012)
Download PDFI wrote this manual for other organizers of Trade School, a self-organized learning platform that runs on barter, after answering the same questions 100s of times. Louise Ma designed it, and Or Zubalsky wrote the open-source software.
ABOUT
Short Bio
Caroline Woolard is a founding co-organizer of Art.coop and Head of Strategy at Minima.nyc. She is the co-author of two major reports: Solidarity Not Charity (Grantmakers in the Arts, 2021) and Spirits and Logistics (Center for Cultural Innovation, 2022) and three books: Making and Being (Pioneer Works, 2019), a book for educators about interdisciplinary collaboration, co-authored with Susan Jahoda; Art, Engagement, Economy (onomatopee, 2020) a book about managing socially-engaged and public art projects; and TRADE SCHOOL: 2009-2019, a book about peer learning that Woolard catalyzed in thirty cities internationally over a decade. Woolard’s artwork has been featured twice on New York Close Up (2014, 2016), a digital film series produced by Art21 and broadcast on PBS. https://carolinewoolard.com/
Additional Bio
Caroline Woolard's work has been commissioned by and exhibited in major national and international museums including MoMA, the Whitney Museum, and Creative Time. Woolard’s work has been featured twice on New York Close Up (2014, 2016), a digital film series produced by Art21 and broadcast on PBS. She was the 2023-2024 W. W. Corcoran Professor of Community Engagement, the 2018–20 inaugural Walentas Fellow at Moore College of Art and Design and the inaugural 2019–20 Artist in Residence for INDEX at the Rose Museum, and a 2020-2021 Fellow at the Center for Cultural Innovation.
Her work has been commissioned by and exhibited in major national and international museums, including MoMA, the Whitney Museum, and Creative Time. Recent scholarly writing on her work has been published in The Brooklyn Rail (2018); Artforum (2016); Art in America (2016); The New York Times (2016); and South Atlantic Quarterly (2015). Woolard co-founded barter networks OurGoods.org and TradeSchool.coop (2008-2015), the Study Center for Group Work (since 2016), BFAMFAPhD.com (since 2014), and the NYC Real Estate Investment Cooperative (since 2016). Recent commissions include The Meeting, with a rolling premiere at The New School, Brandeis University, The School of the Art Institute of Chicago, and Moore College of Art and Design, Philadelphia, PA (2019); WOUND, Cooper Union, New York, NY (2016); and Capitoline Wolves, Cornell University, Ithaca, NY (2016), and Exchange Café, MoMA, New York, NY (2014).
She is the recipient of a number of awards and fellowships including at Moore College of Art and Design (2019), Pilchuck (2018), the Lower Manhattan Cultural Council (2016), the Queens Museum (2014), Eyebeam (2013), Rockefeller Cultural Innovation Fund (2010), Watermill (2011), and the MacDowell Colony (2009). She is member of the Guild of Future Architects and was an AmbitioUS Fellow (2021-2022).
https://en.wikipedia.org/wiki/Caroline_Woolard
Woolard's upcoming events, full bio, projects, institutions, writing, and past talks are below. Download a PDF of critical writing about her work here. You can find my CV here and you can email me at: Caroline Woolard [at] gmail [dot] com.
Socially Engaged Art Worksheet: APPROACH
Download PDF